The Margin I have read as far as… I-I. Fyodor Pavlovitch Karamazov I-II. He Gets Rid Of His Eldest Son I-III. The Second Marriage And The Second Family I-IV. The Third Son, Alyosha I-V. Elders II-I. They Arrive At The Monastery II-II. The Old Buffoon II-III. Peasant Women Who Have Faith II-IV. A Lady Of Little Faith II-V. So Be It! So Be It! II-VI. Why Is Such A Man Alive? II-VII. A Young Man Bent On A Career II-VIII. The Scandalous Scene III-I. In The Servants’ Quarters III-II. Lizaveta III-III. The Confession Of A Passionate Heart—In Verse III-IV. The Confession Of A Passionate Heart—In Anecdote III-V. The Confession Of A Passionate Heart—“Heels Up” III-VI. Smerdyakov III-VII. The Controversy III-VIII. Over The Brandy III-IX. The Sensualists III-X. Both Together III-XI. Another Reputation Ruined IV-I. Father Ferapont IV-II. At His Father’s IV-III. A Meeting With The Schoolboys IV-IV. At The Hohlakovs’ IV-V. A Laceration In The Drawing-Room IV-VI. A Laceration In The Cottage IV-VII. And In The Open Air V-I. The Engagement V-II. Smerdyakov With A Guitar V-III. The Brothers Make Friends V-IV. Rebellion V-V. The Grand Inquisitor V-VI. For Awhile A Very Obscure One V-VII. “It’s Always Worth While Speaking To A Clever Man” VI-I. Father Zossima And His Visitors VI-II. The Duel VI-III. Conversations And Exhortations Of Father Zossima VII-I. The Breath Of Corruption VII-II. A Critical Moment VII-III. An Onion VII-IV. Cana Of Galilee VIII-I. Kuzma Samsonov VIII-II. Lyagavy VIII-III. Gold-Mines VIII-IV. In The Dark VIII-V. A Sudden Resolution VIII-VI. “I Am Coming, Too!” VIII-VII. The First And Rightful Lover VIII-VIII. Delirium IX-I. The Beginning Of Perhotin’s Official Career IX-II. The Alarm IX-III. The Sufferings Of A Soul, The First Ordeal IX-IV. The Second Ordeal IX-V. The Third Ordeal IX-VI. The Prosecutor Catches Mitya IX-VII. Mitya’s Great Secret. Received With Hisses IX-VIII. The Evidence Of The Witnesses. The Babe IX-IX. They Carry Mitya Away X-I. Kolya Krassotkin X-II. Children X-III. The Schoolboy X-IV. The Lost Dog X-V. By Ilusha’s Bedside X-VI. Precocity X-VII. Ilusha XI-I. At Grushenka’s XI-II. The Injured Foot XI-III. A Little Demon XI-IV. A Hymn And A Secret XI-V. Not You, Not You! XI-VI. The First Interview With Smerdyakov XI-VII. The Second Visit To Smerdyakov XI-VIII. The Third And Last Interview With Smerdyakov XI-IX. The Devil. Ivan’s Nightmare XI-X. “It Was He Who Said That” XII-I. The Fatal Day XII-II. Dangerous Witnesses XII-III. The Medical Experts And A Pound Of Nuts XII-IV. Fortune Smiles On Mitya XII-V. A Sudden Catastrophe XII-VI. The Prosecutor’s Speech. Sketches Of Character XII-VII. An Historical Survey XII-VIII. A Treatise On Smerdyakov XII-IX. The Galloping Troika. The End Of The Prosecutor’s Speech. XII-X. The Speech For The Defense. An Argument That Cuts Both Ways XII-XI. There Was No Money. There Was No Robbery XII-XII. And There Was No Murder Either XII-XIII. A Corrupter Of Thought XII-XIV. The Peasants Stand Firm Epilogue I. Plans For Mitya’s Escape Epilogue II. For A Moment The Lie Becomes Truth Epilogue III. Ilusha’s Funeral. The Speech At The Stone
Concept
Eternal Harmony Also known as future harmony, higher harmony, the world's finale.
Eternal Harmony is the final reconciliation Ivan says he can imagine and even believe in. He accepts God, order, and a future moment when suffering might be healed and justified, but he says he cannot accept the world on those terms. The idea matters because Ivan grants the promise before refusing its price.
V-IV. Rebellion
Ivan narrows the problem to the suffering of children and rejects any harmony founded on their unatoned tears. The phrase becomes the exact future he will not buy at such a cost.
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Kind Concept Also known as future harmony, higher harmony, the world's finale
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