The Margin I have read as far as… I-I. Fyodor Pavlovitch Karamazov I-II. He Gets Rid Of His Eldest Son I-III. The Second Marriage And The Second Family I-IV. The Third Son, Alyosha I-V. Elders II-I. They Arrive At The Monastery II-II. The Old Buffoon II-III. Peasant Women Who Have Faith II-IV. A Lady Of Little Faith II-V. So Be It! So Be It! II-VI. Why Is Such A Man Alive? II-VII. A Young Man Bent On A Career II-VIII. The Scandalous Scene III-I. In The Servants’ Quarters III-II. Lizaveta III-III. The Confession Of A Passionate Heart—In Verse III-IV. The Confession Of A Passionate Heart—In Anecdote III-V. The Confession Of A Passionate Heart—“Heels Up” III-VI. Smerdyakov III-VII. The Controversy III-VIII. Over The Brandy III-IX. The Sensualists III-X. Both Together III-XI. Another Reputation Ruined IV-I. Father Ferapont IV-II. At His Father’s IV-III. A Meeting With The Schoolboys IV-IV. At The Hohlakovs’ IV-V. A Laceration In The Drawing-Room IV-VI. A Laceration In The Cottage IV-VII. And In The Open Air V-I. The Engagement V-II. Smerdyakov With A Guitar V-III. The Brothers Make Friends V-IV. Rebellion V-V. The Grand Inquisitor V-VI. For Awhile A Very Obscure One V-VII. “It’s Always Worth While Speaking To A Clever Man” VI-I. Father Zossima And His Visitors VI-II. The Duel VI-III. Conversations And Exhortations Of Father Zossima VII-I. The Breath Of Corruption VII-II. A Critical Moment VII-III. An Onion VII-IV. Cana Of Galilee VIII-I. Kuzma Samsonov VIII-II. Lyagavy VIII-III. Gold-Mines VIII-IV. In The Dark VIII-V. A Sudden Resolution VIII-VI. “I Am Coming, Too!” VIII-VII. The First And Rightful Lover VIII-VIII. Delirium IX-I. The Beginning Of Perhotin’s Official Career IX-II. The Alarm IX-III. The Sufferings Of A Soul, The First Ordeal IX-IV. The Second Ordeal IX-V. The Third Ordeal IX-VI. The Prosecutor Catches Mitya IX-VII. Mitya’s Great Secret. Received With Hisses IX-VIII. The Evidence Of The Witnesses. The Babe IX-IX. They Carry Mitya Away X-I. Kolya Krassotkin X-II. Children X-III. The Schoolboy X-IV. The Lost Dog X-V. By Ilusha’s Bedside X-VI. Precocity X-VII. Ilusha XI-I. At Grushenka’s XI-II. The Injured Foot XI-III. A Little Demon XI-IV. A Hymn And A Secret XI-V. Not You, Not You! XI-VI. The First Interview With Smerdyakov XI-VII. The Second Visit To Smerdyakov XI-VIII. The Third And Last Interview With Smerdyakov XI-IX. The Devil. Ivan’s Nightmare XI-X. “It Was He Who Said That” XII-I. The Fatal Day XII-II. Dangerous Witnesses XII-III. The Medical Experts And A Pound Of Nuts XII-IV. Fortune Smiles On Mitya XII-V. A Sudden Catastrophe XII-VI. The Prosecutor’s Speech. Sketches Of Character XII-VII. An Historical Survey XII-VIII. A Treatise On Smerdyakov XII-IX. The Galloping Troika. The End Of The Prosecutor’s Speech. XII-X. The Speech For The Defense. An Argument That Cuts Both Ways XII-XI. There Was No Money. There Was No Robbery XII-XII. And There Was No Murder Either XII-XIII. A Corrupter Of Thought XII-XIV. The Peasants Stand Firm Epilogue I. Plans For Mitya’s Escape Epilogue II. For A Moment The Lie Becomes Truth Epilogue III. Ilusha’s Funeral. The Speech At The Stone
Concept
The Hymn Underground Also known as our hymn from underground, a glorious hymn to God.
The hymn underground is Dmitri's vision of faith under punishment. In prison, he imagines men in the mines sheltering God below the earth and singing a glorious hymn to Him from the bowels of the ground. It is his way of turning suffering into brotherhood, prayer, and joy.
XI-X. “It Was He Who Said That”
Ivan bitterly recalls Dmitri singing a hymn while he himself prepares to bear witness about Smerdyakov , making the image part of the brothers' opposed ways of facing guilt.
Epilogue II. For A Moment The Lie Becomes Truth
After the verdict, Dmitri admits the hymn has become harder to live than to imagine: he cannot bear the thought of blows, humiliation, and separation from Grushenka in Siberia .
This entry is sealed. You have not yet read far enough to open it.
Kind Concept Also known as our hymn from underground, a glorious hymn to God
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