Organization
The Prosecution
Also known as the case for the prosecution.
The prosecution is the accusing side in Dmitri's trial. From the first witnesses onward, the case appears almost too strong to contest, with testimony about threats, money, the open door, and Dmitri's conduct. Its force lies in making scattered facts seem to gather around one conclusion.
XII-III. The Medical Experts And A Pound Of Nuts
The prosecution treats the doctors and local witnesses as part of the larger picture, though the medical testimony itself becomes muddled and comic.
XII-IV. Fortune Smiles On Mitya
The prosecutor presses Alyosha on Dmitri's threats and on the absence of proof against Smerdyakov.
XII-V. A Sudden Catastrophe
Ivan's ravings disturb the court, but Katerina's production of Dmitri's Metropolis letter gives the prosecution a written document it can treat as a plan.
XII-VI. The Prosecutor’s Speech. Sketches Of Character
Ippolit Kirillovitch begins his summation by framing the crime as a symptom of social decay and the Karamazov household as a public danger.
XII-VII. An Historical Survey
The prosecution links jealousy, the drunken letter, Dmitri's search for money, and the chance to enter Fyodor Pavlovitch's house into a continuous theory of premeditation.
XII-VIII. A Treatise On Smerdyakov
It argues at length that Smerdyakov had neither the character nor the practical opening to be the murderer, and that Ivan's accusation is unreliable because of brain fever.
XII-IX. The Galloping Troika. The End Of The Prosecutor’s Speech.
The prosecutor ends with a national warning, urging the jury not to turn mercy into justification for parricide.
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